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                Weekly highlights






          A tale of the caftan






                                                                                                                       Beyond communities




































          View of the exhibition at the Musée de la Parure in Rabat. A single garment with regional specificities (Ph.  FNM)  Embroidery detail on a Judeo-Moroccan
                    UX fils du caftan maro-
          «A                                                                      cites gold-embroidered garments,     caftan worn by the bride. A beautiful
                                                                                                                       Moroccan-Andalusian heritage
                    cain» ( A tale of the caf-
                                                                                  with taffeta, wool, stiff silk, and
                                                                                                                        (Private photo)
                    tan) is the new exhibition
          at the Musée national de la parure les                                  stripes. The sultans of the Marinid     THE quintessential ceremo-
                                                                                  dynasty also sent luxurious garments
          Oudayas in Rabat. This temporary                                        to the Ottoman sultans, who named  nial garment for Moroccan women
          exhibition takes visitors on a journey                                  them «Fas Kaftanlar» in reference  (weddings, christenings, religious
          through the colors, shapes, materials,                                  to the city of Fez. Towards the end  festivals), the traditional caftan
          and techniques of this emblematic                                       of the 15th century, the caftan took  transcends regions, communities,
          Moroccan costume, highlighting five                                     a new turn with the massive arrival  and religions. The traditional gar-
          production schools in various regions                                   in Morocco of Andalusians expelled  ment is also worn daily by Moroc-
          of the country: Oujda, Tétouan, Fez,                                    from Spain who settled mainly in  can Jewish women. The Judeo-
          Rabat-Salé, and Marrakech. Some                                         Tétouan and Fez, but also in Chef-   Moroccan caftan draws part of its
          thirty caftans and accessories evoke                                    chaouen, Rabat, and Salé.            origins from Renaissance Spain.
          the different practices used from the                                   Over time, weaving (tarz) workshops  The keswa el kebira, worn by
          19th century to the present day. These                                  dedicated in part to making caftans  brides, is a genuine heritage of this
          pieces reveal the richness of Moroc-  A rare 19th-century Moroccan caftan in brocade  flourished. Traditionally reserved  know-how, and comprises three
          can culture and its many tributaries,   with highly sophisticated ornamentation, offered   for men, it was during the Saadian  pieces that are a blend of Moroc-
          and provide an insight into the history   for sale by the Drouot auction house (Private Photo)  period that women began to adopt  can and Andalusian influences.
          of the caftan as a heritage rooted in   of sumptuous ornamentation, as the   the garment, launching a bold trans-  The large dress is cut from velvet
          Moroccan traditions. Each piece on   rulers of the time preached a return   formation that propelled the caftan  in different colors depending on
          display tells the story of a timeless   to the fundamental sources of Islam,   to the status of an icon of feminine  the region: green or blue for inland
          heritage and reveals the craftsman-  wishing to break with the opulence   elegance. Even more sumptuous, the  towns, and garnet-red for coastal
          ship handed down from generation to   of their Almoravid predecessors, they   caftan will feature new fabrics such  towns.
          generation.                         refused to use silk and gold in their   as brocade.                         Sleeve lengths and styles, skirts
          The «Aux fils du caftan marocain»   garments. However, under Caliph     Ibn Khaldun mentions silk garments  and hairstyles also vary from re-
          exhibition enriches the museum’s per-  Muhammad an-Nâsir, the caftan be-  and belts adorned with gold thread  gion to region. For example, the
          manent exhibition, and pays tribute   came more affordable.             woven in Fez. For men, the caftan  «zeltita» is a large skirt with a dif-
          to the ingenuity and creativity of the   A census taken for tax purposes   was made from cloth imported from  ferent cut in different parts of Mo-
          men and women who help shape our    counted no fewer than 3,490 weaving   England. Sultan Ahmed Al Mansour  rocco. A vest or «gomabaz» with
          national heritage and take it around   workshops and more than 3,000 wea-  introduced the fashion for a transpa-  puffed sleeves that roll up over the
          the world. This sumptuous garment,   vers in Fez. It was under the Marinid   rent tunic over the traditional caftan,  shoulders and, finally, as a breast-
          deeply rooted in the country’s sar-  dynasty that the caftan took on its   nicknamed mansouria after its name.  plate, the «ktef», the most precious
          torial habits, has undergone several   finest finery, with the use of fabrics   This combination gave rise to the  part of the outfit, thanks to its rich
          transformations over the centuries,   such as brocade.                  now timeless takchita, made up of  gold or silver embroidery. Other
          but remains an essential part of the   A prestigious garment, the caftan was   two pieces unlike the caftan: the first  inseparable accessories include
          national wardrobe. Originally a prin-  offered as a gift to sultans of foreign   is the tahtiya and the second is called  the scarf (sebnia in Arabic) and the
          cely costume, it made its first appea-  powers. A list of gifts sent by the   fouqia or dfina or mansouria.o  crown (swalef), set with pearls,
          rance in the 12th century under the   Marinid sultan Abu Al-Hassan to the                             A.Bo
          Almohad reign. Sober and devoid     Mamluk sultan an-Nâsir Muhammad                                          rubies, emeralds, and gold coins.o
                                                                     Friday 16 February 2024
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